Dana Bultman
Associate Professor, Spanish

Contact Information

Office:
211 Gilbert Hall
Office Hours:
email for an appointment
Programs:
Spanish

Dana C. Bultman (Ph.D. 1998 Comparative Literature, University of Wisconsin-Madison) specializes in the early modern literature and culture of Spain, lyric poetry, women writers, and literary theory. She is the author of Heretical Mixtures: Feminine and Poetic Opposition to Matter-Spirit Dualism in Spain 1531-1631. In addition to specialized graduate courses, she teaches SPAN 3030 Intro to Hispanic Literatures and SPAN 4040 Medieval to Baroque Spain. She is Book Review Editor for Calíopethe journal of the Society for Renaissance and Baroque Hispanic Poetry, and past President of GEMELA, Grupo de Estudios sobre la Mujer en España y las Américas pre-1800.  

Research Interests:

Research Interest Areas: Golden Age Literature, Spain pre-1800, Poetry, Moral Treatises, Women Writers, Cultural and Literary Theory.

 

At the moment I'm focused on sixteenth-century moral and spiritual treatises and manuals, particularly the works of Francisco de Osuna in the context of Renaissance Humanism's premodern frameworks for knowledge and concepts of human nature. While my research focuses on Spanish early modern cultural history and literature, in courses and work with graduate students we also study contemporary cultural theory, literary genres from the Mediterranean and Atlantic worlds across periods, medieval texts, and issues of ethnicity, social class, and gender. Interested graduate students, please read my guidelines for working together.

 

Selected Research

BOOKS

Norte de los estados: A Guide for the Young, Married, Widowed, and All Virtuous People by Francisco de Osuna (critical edition in progress).

 

Heretical Mixtures: Feminine and Poetic Opposition to Matter-Spirit Dualism in Spain, 1531-1631. Valencia: Albatros-Hispanófila Siglo XXI, 2007. 229 pp.

 

ARTICLES AND BOOK CHAPTERS

"Winds, Heart, and Heat in Premodern Franciscan and Nahua Concepts of 'Soul.'" (forthcoming in Colonial Latin American Review).

 

“‘Your Clogs will be My Stairway to Heaven:’ A Wife’s Spiritual Goodness in Francisco de Osuna’s Reformist Dialogue on Marriage, Norte de los estados.” Paradigm Shifts during the Global Middle Ages and Renaissance. Ed. Albrecht Classen. Turnhout, Belgium: Brepols. (forthcoming).

 

“Social Class.” In Using Primary Sources: A Practical Guide for Students. Ed. Jonathan Hogg. Liverpool University Press and University of Liverpool Library in partnership with KISC, 2017. An Open Access e-textbook: https://liverpooluniversitypress.co.uk/pages/using-primary-sources.

 

“Jealousy in María de Zayas’s Intercalated Poetry: Lyric Illness and Narrative Cure.” In Golden Age Poetry in Motion. Eds. Jean Andrews and Isabel Torres. Woodbridge, England: Tamesis, 2014: 145-163.

 

“Conceptualización de la naturaleza creativa: Góngora y Luis Martín de la Plaza en Flores de poetas ilustres (1605).” In Los géneros poéticos del Siglo de Oro: Centros y periferias. Eds. Rodrigo Cacho Casal y Anne Holloway. Woodbridge, England: Tamesis, 2013: 295-312.

 

“Humanist and Mystical Understanding in Luis de León’s ‘Noche serena’ and John of the Cross’s ‘La noche oscura.’” In Approaches to Teaching Teresa of Avila and the Spanish Mystics. Ed. Alison Weber. New York: Modern Language Association, 2009: 232-239.

 

“Fray Luis de León.” In Dictionary of Literary Biography Volume 318: Sixteenth-Century Spanish Writers. Ed. Gregory B. Kaplan. Columbia, SC: Bruccoli, Clarke & Layman, Inc., 2006: 138-146.

 

“Sixteenth-Century Spanish Humanism.” In Dictionary of Literary Biography Volume 318: Sixteenth-Century Spanish Writers. Ed. Gregory B. Kaplan. Columbia, SC: Bruccoli, Clarke & Layman, Inc., 2006: 296-304.

 

“The Early Modern Sonnet's Lessons of Petrarchism and Militarism.” Ed. Edward Friedman. Calíope 11.2 (2005): 33-43.

 

“Góngora’s Invocation of Prudente Cónsul: Censorship and Humanist Doubts about his Lyric Language.” Hispanófila 142 (2004): 1-19.

 

“Scripted Oralities circa 1607-1617: Language and Intention in Góngora’s Las firmezas de Isabela and Lope’s Lo fingido verdadero.” Bulletin of the Comediantes 55.1 (2003): 47-67.

 

“Shipwreck as Heresy: Placing Góngora’s Poetry in the Wake of Renaissance Epic, Fray Luis and the Christian Kabbala.” Hispanic Review 70.3 (2002): 413-432.

Of note:

Dana C. Bultman (Ph.D. 1998 Comparative Literature, University of Wisconsin-Madison) specializes in the early modern literature and culture of Spain, lyric poetry, women writers, and literary theory. She is the author of Heretical Mixtures: Feminine and Poetic Opposition to Matter-Spirit Dualism in Spain 1531-1631.